Director: Abhijit Das Gupta.
Something remarkable happened for the first time in Asia. 16 physically challenged persons wrote a new chapter in the history of the Asian soil. They participated in the “Beyond Belief expedition challenge”. In two nights and three days, they traversed through mountain paths, fording water bodies and navigating through forests infested with snakes and scorpions to prove to the world that those labeled “disable” are able and capable. The expedition was to showcase their endurance power, skill and ability of the “differently able” persons. They went to the deep forests around the Garumara range in North Bengal, lived in camps and passed through areas that normal people would dread to dare. The 4 teams : Alpha: Asit Kr Pal – Instructor Sukanta Mondal – impairment of Upper limb Jaydev Mondal – impairment of Lower limb Nitai Khan – Visually challenged Dipankar Goldar – Speech & hearing impaired Bravo: Chandana Biswas – Instructor Probir Sarkar – impairment of lower limb Binod Kr Singh – impairment of upper limbs Tarun Bag – visually challenged Pinto Goldar – Speech & hearing impaired Charlie: Kamalika De – Instructor Rimo Saha – impairment of upper limb Sanjay Das – impairment of lower limb Kalidas Das – visually challenged Santanu Sen – Speech & Hearing impaired Delta: Tapas Kangshabanik – Instructor Bholanath Dolui – impairment of upper limb Ujjal Ghosh – impairment of lower limb Shyamal Kr Roy – visually challenged Subhankar Goldar – Speech & hearing impaired The area is the habitat of king cobras, leopards, elephants… Pushing a wheel chair across shallow jungle rivulets tested human stamina to its limits. This was an epic saga of man against elements… flesh against stone…a quiet communion with nature. All about the insatiable urge of human beings to tread un-trodden grounds. 16 individuals ventured not to conquer mountains …. Forests …. and rivers… but to conquer themselves Their odysseys – Beyond Belief.

Director: Wieland Schulz-Keil, Dan Tang.
The film consist of four portraits of Peking opera performers, two adults and two children. It presents a subtle picture of the present cultural-political climate in China. Peking Opera often seems puzzling and out of place, even in China. Its style is the opposite of naturalism: It is perfectly possible that young girls play elderly generals, or that a young male actor performs the heroine's sword dance from "Farewell my Concubine." The radical artificiality of Peking Opera has often met resistance. During the Cultural Revolution of the 60s and 70s, it was considered decadent and was outlawed. Today it seems hopelessly old-fashioned compared to the new currents of popular culture. -- While visiting a Peking Opera school the filmmakers met a number of teachers and pupils who are working hard and with admirable devotion to keep their highly refined music and dance theatre alive. The theatre people not only taught them about their century old Chinese art form, but also about their lives in the midst of a mostly imported new culture.

Director: Ashutosh Gowariker.
SYNOPSIS Jodhaa Akbar is the story of the greatest Mughal emperor that ruled Hindustan, Jalaluddin Mohammad Akbar, and the fiery young Rajput princess, Jodhaa. Set in the sixteenth century, the epic romance begins as a marriage of alliance between two cultures and religions, for political gain, with King Bharmal of Amer giving his daughter’s hand to Emperor Akbar. When Akbar accepts the marriage proposal, little does he know that in his efforts to strengthen his relations with the Rajputs, he would in turn be embarking on a new journey – the journey of true love. From the battlefield where the young Jalaluddin was crowned, through the conquest that won him the title of Akbar the Great, to winning the love of the beautiful Jodhaa, Jodhaa Akbar traces the impressive graph of the mighty emperor and his romance with the defiant princess. With Hrithik Roshan as Akbar and Aishwarya Rai Bachchan as Jodhaa, the film is produced by Ronie Screwvala and Ashutosh Gowariker.