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A thousand generations live in you now. See Star Wars: The Rise of Skywalker in theaters December 20.

James Bond 007 No time to die 2020 Daniel Craig, Rami Malek

Trailers in 2020

Discover New Films

The Storykeeper

Director: Rogier van Beeck Calkoen.

The Sun and the Wind

Director: Thanasis Neofotistos.
A woman is walking carefree in the fields, collecting flowers and windmills, completely clueless about what is going to happen to her when the sun and the wind fight over who is stronger. They will both attempt to undress her. Each one uses his strongest assets. The first one uses his force, the second one his warmth. Who will be the winner? A fairy-tale inspired by Aesops fable The Sun and the Wind along with the poetry of George Drosinis.

The Surroundings

Director: Yang Zhengfan.
In a society obsessed with economic development, a young man from a rural area is hired to take care of an old man living on a farm. The old man stands firmly on keeping his home, while the young man works hard to make a life for him and his girlfriend. However, the two are met with the harshness of a society that's leaving them behind. In the end, they become victims to a fate they did not choose.

The Survivor of the hippocampus

Director: Julien Lecat.
Diane, a hardened woman, manages a brothel in the 2030s. Frank Richard, a smuggler and old friend, drowns his sorrows in alcohol, trying to escape the memory of his dead brother. He convinces Diane to enter his brain in order to erase this memory. She will make astonishing discoveries…

The Swimsuit

Director: Justin Koch.
Eduard and Sabine are on holiday together but their relationship is shaky. When they encounter young Michelle in a bathing suit store, Eduard uses the girl to get his revenge.

The Thing At The Top Of The Stairs

Director: Michele Torbidoni.
Pietro, a young software developer, loses his flight and choose to spend some time in the small town where he's born. He can't know he will never come back. He'll find a place where memories begin to materialize to unveil a terrible secret. Something that Pietro removed from his mind. Something that he forgot. And for a very good reason.

the third eye of resistance

Director: razi.
A journey through the life of C. Saratchandran who travelled constantly with the camera and cinemas. It is a journey through the vivid, living memories of the protesters at Chaliyar, Plachimada, Muthanga and Kathikudam; through the experiences of his friends and everyone who have travelled with him or parallel to his path. As someone who pioneered in media activism as part of the little magazine movement during the Emergency, Sarat later on took up the very political duty of documenting the popular struggle movements of Kerala. This film tries to be exactly that, a clear take on the popular risings of not just Kerala, but the whole of India, by exploring and coordinating the history of those who have travelled along with Sarat. While capturing the essence of Sarat's political rebellion through documentation, which began with the VHS camera to reach the zeniths of pioneering experimentation with the Digital technology, the film is also an inquiry into the ongoing technical and creative evolutions in the production and screening of documentaries, in its right as an important media in the new world. What Sarat did with his video camera was much more than transmitting the socio-political issues to be portrayed in the mainstream society. He stood by each of those struggles, feeding them with energy and the spirit to go forward, to reach success. For someone like Sarat, who remained wide awake in both at the struggle fronts and in his personal relationships; for someone as unconditionally empathetic, the camera was always the third eye for fulfilling his mission; the third eye of resistance.

The Third Motherland

Director: Costas M. Constantinou and George Skordis.
What does it mean to belong to a motherland? How does it feel to be caught in between different motherlands? What burdens but also what rights and opportunities does belonging to an “other” motherland entail? How does ethnic conflict exacerbate identity problems and impact on the cultural heritage of small minority communities? Filmed in Cyprus and Lebanon, The Third Motherland addresses these questions by following the story of the Cypriot Maronite community. The film reveals the dilemmas of identification and belonging and accounts for opposing feelings and beliefs within and beyond the community. This is a film about cultural loss, low self-esteem, cooption, denial of rights and everyday social problems but also of ethnic pride, cultural revival, joy and resistance.

The Ties That Bind

Director: Paul Anderton.

The Tiger and the Lamb

Director: Ulf Kristiansen.
Based on 2 poems by William Blake, animation by Ulf Kristiansen. Blake is building on the conventional idea that nature, like a work of art, must in some way contain a reflection of its creator. The tiger is strikingly beautiful yet also horrific in its capacity for violence. What kind of a God, then, could or would design such a terrifying beast as the tiger? In more general terms, what does the undeniable existence of evil and violence in the world tell us about the nature of God, and what does it mean to live in a world where a being can at once contain both beauty and horror? The open awe of "The Tyger" contrasts with the easy confidence, in "The Lamb," of a child's innocent faith in a benevolent universe. By letting the tiger recite "the Lamb" , the tiger appears somewhat mephistotelian even though the lamb is not letting herself be seduced. The tiger is also less than impressed by the lamb’s poetry reading and seems to be planning his next meal.