Pro Tools
•Register a festival or a film
Submit film to festivals Promote for free or with Promo Packages

FILMFESTIVALS | 24/7 world wide coverage

Welcome !

Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community.  

Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide.

Working on an upgrade soon.

For collaboration, editorial contributions, or publicity, please send us an email here

User login


RSS Feeds 

Martin Scorsese Masterclass in Cannes services and offers


Amazonas Film Festival


The festival is held under the patronage of Amazonas State Governor Omar Aziz and State secretary of Culture, General Director Roberio Braga.

Screenings take place in the amazing Amazonas Theatre built in 1896 in the centre of amazon where the Rio Negro and Amazon meet.



Interview with Barmak Akram for Wajma in competition at Amazonas

Movies Afghans are quite rare for a Western audience . There is something miraculous in making a film like Wajma ?
It is very difficult to gather all financial recurços for a film made in Afghanistan , mainly because of insurance which are really very expensive , because it is considered as a country at war , very dangerous , like Iraq for example.
On the other hand , have a team of professionals Afghan mission was virtually impossible in a country where war has devastated entire higher education and interest in the film . For my first film , Kabuli Kid , we brought a team of professionals French and Iranians .
In the case of Wajma I realisei it would be difficult to make the film under the same conditions as the first. After a while , I ended up running out of patience : as I have a training cameraman , I bought a camera and a computer . I went to Kabul uninsured and filmed Wajma .
What is the origin and intention with this story ?
In 2010 , I made a documentary about the hospital of burn patients in the city of Herat in western Afghanistan , where there are over 272 cases repertoriados immolation . When I researched about the reasons for these immolations , which were learned because of love stories that ended badly, early marriages , forced , or stories of impossible love . From an ethical point of view , I felt obligated to defend or at least make the desperate cries of these women are heard .
With Wajma , I wanted to talk about a love story Afghan et show how society can interfere with the relationship of a couple. The story is quite simple: Wajma a 20 year old girl falls in love with a boy of 25 years. They come hidden , are negligent , go wandering the city are immersed in a platonic love story , especially for her, until she finds out she is pregnant , and they are not married . The romantic story turns into tragedy when the father of Wajma learns that she is pregnant .
The conflict between tradition - enracinado so heavily on Afghan society - and modernity in his film has a face : that of the main couple . These are realistic character of Afghan society ?
Early in the film , there is a drift , and a denial of the rules of society . Blinded by love , the couple forgets that religion forbids any kind of physical relationship before marriage . The couple's relationship is only possible because the father works in the South . When the cat is away, the mice dansam . The weight of tradition is played by the father. He leads the couple and this love story to the darkest depths . Modernity began in Afghanistan , but she is decelerated by tradition and religion.
There are several " Wajma " in the country . Wajma is a film based on several true stories , though not end so well as Wajma .
Back to the point of view of the spectator , I imagine that one of the characteristics that can most sorpreender this film is the role of women in Afghan society . With Wajma you intend to do away with the clichés or simply tell a love story so honest with reality ?
Both ! Principalement , I wanted to talk about a story about ordinary people , anti - heroes , ending clichés reducers Afghan woman hidden under a burka , as if she were a wailing wall . I wanted to show that there are other women or girls in this country , liberated , emancipated , knowing that they have rights !
His film was very well received at festivals and received awards . You can say it's something our extraordinary for a movie " house made" ?
Yes, it was a big surprise ! I started this film with my own means , resources . I came to Kabul with a first edition / assembly in Paris and I continued with the best film editors : Hervé de Luze and Isabelle Ingold . Gradually , the film had increasingly better looking thanks to these great editors who believed in the film from the beginning .
Then send the film in September 2012 to Sundance and they accepted . Proceeded rapidly to post -production . For this, I had some debts to accumulate more because I had no more money.
I do not expect to have the prize of the best scenario ! This launched the movie career since he was selected in the programming of ACID at Cannes in 2013 et Wajma is today Afghanistan for Oscars 2014 !
Tell us something about Wajma et Mustafa , who are an important part of the success of the film . How did you work with them ?
Working with actors was central . As I did not have a great team and that the material was not super professional as Hollywood movies , the job of directing the actors was realistic and very important for me and the film .
I was very lucky to meet the Wajma and Mustafa . They are part of the theater company that Ariane Mnouchkine inaugurated in Afghanistan in 2005 . They came to France in 2010 and studied at the National School of Theatre in Lyon . When they have just left school , I proposed to them to make the film et went together to Kabul .
This movie would not exist without the Wajma and without the help of his mother and his family , as well Wajma filmed at home . As Mustafa knew well Wajma , they learned to work together quickly. He also did the makeup !


The Bulletin Board

> The Bulletin Board Blog
> Partner festivals calling now
> Call for Entry Channel
> Film Showcase
 The Best for Fests

Meet our Fest Partners 

Following News

Interview with EFM (Berlin) Director



Interview with IFTA Chairman (AFM)



Interview with Cannes Marche du Film Director
 dailies live coverage from

> Live from India 
> Live from LA
Beyond Borders
> Locarno
> Toronto
> Venice
> San Sebastian

> Tallinn Black Nights 
> Red Sea International Film Festival

> Palm Springs Film Festival
> Kustendorf
> Rotterdam
> Sundance
Santa Barbara Film Festival SBIFF
> Berlin / EFM 
> Fantasporto
Houston WorldFest 
> Julien Dubuque International Film Festival
Cannes / Marche du Film 



Useful links for the indies:

Big files transfer
> Celebrities / Headlines / News / Gossip
> Clients References
> Crowd Funding
> Deals

> Festivals Trailers Park
> Film Commissions 
> Film Schools
> Financing
> Independent Filmmaking
> Motion Picture Companies and Studios
> Movie Sites
> Movie Theatre Programs
> Music/Soundtracks 
> Posters and Collectibles
> Professional Resources
> Screenwriting
> Search Engines
> Self Distribution
> Search sites – Entertainment
> Short film
> Streaming Solutions
> Submit to festivals
> Videos, DVDs
> Web Magazines and TV


> Other resources

+ SUBSCRIBE to the weekly Newsletter
+ Connecting film to fest: Marketing & Promotion
Special offers and discounts
Festival Waiver service

User images

About Amazonas Film Festival

Martin Patricia

The 10th edition 's coverage features photos and videos by Leopoldo Soto and Bruno Chatelin



View my profile
Send me a message