Pro Tools
•Register a festival or a film
Submit film to festivals Promote for free or with Promo Packages

FILMFESTIVALS | 24/7 world wide coverage

Welcome !

Enjoy the best of both worlds: Film & Festival News, exploring the best of the film festivals community.  

Launched in 1995, relentlessly connecting films to festivals, documenting and promoting festivals worldwide.

Working on an upgrade soon.

For collaboration, editorial contributions, or publicity, please send us an email here

User login

|FRENCH VERSION|

RSS Feeds 

Martin Scorsese Masterclass in Cannes

 

 

 

Lovely Rita's Lovely Producer

"You can no longer tell which was first: Rita's boldness or the repudiation by her parents. Both have become inseparable - the more she strives for love, the less love she is shown.
 "The last time her hopes were dashed was on her father's birthday. She tried so hard to get his recognition, but then caught his gaze that was coldly and contemptfully scrutinising her," says Austrian director Jessica Hausner. In the end, Rita -­ 15 years old -- kills her parents. Selected for Un Certain Regard at Cannes, Lovely Rita -- the story of an outsider girl and her ill-fated attempt to break out of her loneliness ­- is the first feature to come out of Austria's Coop 99, a company of four producer and director friends (Hausner, Barbara Albert, Martin Gschlacht and Antonin Svoboda).
It is also the full-length debut of Hausner, a former student of psychology, who went on to learn directing at the Vienna Film Academy. Her first short, Flora, won Tomorrow's Leopard at Locarno. Her 45-minute Inter-View, now being released theatrically, was awarded in the Cinéfondation programme at Cannes.
Hausner wrote the original screenplay for the $1 million feature, which has Barbara Osika in the lead as the unruly teenager, laughed at by her classmates, locked in by her parents. Christoph Bauer, Wolfgang Kostal, Peter Fiala and Karina Brandlmayer join the cast in the film co-produced by Philippe Bober's Essential Filmproduktion and Austria's Prisma Film.
"Some time ago I read about a case of a young girl from a steady family who went to school at Sacre Coeur. In the report she was asked about her relationship to her parents, her school comrades and to men. Her response was typical for a girl in the throes of puberty with hate syndromes against herself and the oppressive world around her," explains Hausner.

"Her hatred was focused on her authoritarian father who wanted to mould her to fit into his picture of normality. These are conditions that effect thousands of other teenagers, but they do not all go around and murder their parents, which this one did. But why? Her answer was simple: she saw the weapon lying on the kitchen cupboard, took it and killed her mother, then her father."

One the verge of becoming a woman, Rita's sexual awakening leads her to clumsy intimacy - first with an 11-year-old boy, obviously too young, then to a bus driver, who is too old. Her efforts to break out of solitude isolate her even more, until one day she finds a solution.

 "You can easily summarise all the circumstances and events that contributed to this coincidence and led to the murders taking place. Though I do not want to ignore or deny them, I am mainly interested in the coincidence that ­ when all is said and done ­ is decisive in this story. There is an alarming arbitrariness to this, an arbitrariness of a nature void of sympathy and mercy. Things happen the way they happen," Hausner concludes.

From financing and sales to talent spotting and production
 
"I like directors with a strong handwriting, who make atypical auteur films" says French-German producer Philippe Bober, of The Coproduction Office. Last year he launched Swedish director Roy Andersson's Sånger från andra våningen (Songs from the Second Floor) in competition at Cannes -­ the film went on to win a shared  Jury Prize and sold world-wide. Now he has Austrian director Jessica Hausner's feature debut, Lovely Rita, in Un Certain Regard.
"When I had seen Hausner's graduation film from the Vienna Film Academy, Inter-View, which won the Cinefondation prize in Cannes. I immediately contacted her. I knew I had spotted an extremely talented director -­ and I have always been more interested in filmmakers than in countries," Bober adds.
Having established the Berlin-based The Coproduction Office in 1987, he mainly worked with financing or international sales of films by, among others, Danish director Lars von Trier, Finnish directors Mika and Aki Kaurismäki, Italian director Nanni Moretti and the late Russian director Andrei Tarkovsky "But having dealt with all details in the life of a film before the and after the production, it was a logical step to include the actual production in our operation, which we did by founding Essential Filmproduktion," explains Bober, who has till now realised six carefully hand-picked feature film projects through the outfit.
One of them was Chinese director Lou Ye's Suzhou River, a $600,000 production which Bober shot in China as a TV film, in order to avoid the Chinese censors, who do not have to approve television movies. A discovery at the Rotterdam fest, it went on to sell more than 30 territories, including the US. On August, 2001, Bober will return to his native France, setting up offices in Paris for the company, which will also include a short film division -- "a sort of greenhouse for new filmmakers" -­ to be run by Nicolas Schmerkin, also chief editor of the French cinema magazine, Repérages.
"As I see it French cinema, both artistically and business-wise, has rarely been more interesting than right now. So I thought it was the time to return after working abroad for so many years, and try to connect to the strong talent of my fellow countrymen," he concludes.
Canadian controversial director Bruce LaBruce's $1.5 million Come As You Are is the first project to be staged by the Paris operation. Set in Hollywood's adult entertainment industry, it follows a gay porn star, Steve, who has fallen in love with Adam, but Adam is straight. Adam, meanwhile, loves November, his sister. November loves Steve, but her ex-husband is still in love with her.
In the meantime Bober has another two films in different stages of production, Austrian director Ulrich Seidl's $1.1 million Hundstage, in collaboration with Austria's Allegro Film, and Icelandic-born director Dagur Kári Petursson's $1.4 million Nói albinoi (Nói the Albino), with Iceland's Zik Zak Filmworks and Denmark's M&M Productions.

Jørn Rossing Jensen

Links

The Bulletin Board

> The Bulletin Board Blog
> Partner festivals calling now
> Call for Entry Channel
> Film Showcase
>
 The Best for Fests

Meet our Fest Partners 

Following News

Interview with EFM (Berlin) Director

 

 

Interview with IFTA Chairman (AFM)

 

 

Interview with Cannes Marche du Film Director

 

 

 

Filmfestivals.com dailies live coverage from

> Live from India 
> Live from LA
Beyond Borders
> Locarno
> Toronto
> Venice
> San Sebastian

> AFM
> Tallinn Black Nights 
> Red Sea International Film Festival

> Palm Springs Film Festival
> Kustendorf
> Rotterdam
> Sundance
Santa Barbara Film Festival SBIFF
> Berlin / EFM 
> Fantasporto
Amdocs
Houston WorldFest 
> Julien Dubuque International Film Festival
Cannes / Marche du Film 

 

 

Useful links for the indies:

Big files transfer
> Celebrities / Headlines / News / Gossip
> Clients References
> Crowd Funding
> Deals

> Festivals Trailers Park
> Film Commissions 
> Film Schools
> Financing
> Independent Filmmaking
> Motion Picture Companies and Studios
> Movie Sites
> Movie Theatre Programs
> Music/Soundtracks 
> Posters and Collectibles
> Professional Resources
> Screenwriting
> Search Engines
> Self Distribution
> Search sites – Entertainment
> Short film
> Streaming Solutions
> Submit to festivals
> Videos, DVDs
> Web Magazines and TV

 

> Other resources

+ SUBSCRIBE to the weekly Newsletter
+ Connecting film to fest: Marketing & Promotion
Special offers and discounts
Festival Waiver service
 

User images

About Editor

Chatelin Bruno
(Filmfestivals.com)

The Editor's blog

Bruno Chatelin Interviewed

Be sure to update your festival listing and feed your profile to enjoy the promotion to our network and audience of 350.000.     

  


paris

France



View my profile
Send me a message
gersbach.net